jenny o ~ automechanic

February 5, 2013 in album reviews, reviews

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This album doesn’t come out until next Tuesday (February 5th) but because that conflicts with the release of the new Thao and the Get Down Stay Down album, I wanted to give Jenny O the jump start because the album is spectacular.  If you hate reading then all you need to know about Jenny’s full length debut is that you should buy it.

Jenny O: the body of Patti Smith, the soul of Janis Joplin, the voice of Stevie Nicks.  At least this was the impression I got after seeing her open for Father John Misty back in September.  I say this not to limit her to some kind of look-a-like, sound-a-like, or feel-a-like persona, but because if there’s one thing I’ve learned from Jenny’s debut album Automechanic, it’s that she’s an unpredictable genius.

After listening to her self-released 2011 EP Home, I had general expectations for what I would hear on Automechanic, even after hearing the albums title track.  What I was anticipating was more of the same, cutesy indie folk-pop, and was pleasantly surprised to find that this album was deeper, wider, and more mature.  As much as I loved adorable songs like Well Ok Honey from Home, Automechanic displays Jenny’s growth as an artist.  The end result is guaranteed to be one of the years best.

Produced by Jonathan Wilson, who co-produced and infused catchy vintage hooks into Father John Misty’s Fear Fun, Wilson does the same here.  Automechanic has the feeling of a worn out dance floor at a gritty midnight discotheque from a bygone era.  Songs like Come Get Me and Good Love, are modern Disco classics, a mirrored ball, polyester jumpsuits (Jenny wore a red corduroy jumpsuit when I saw her back in September) and maybe even a pair of white lace-up roller skates, ooze from these songs like dance floor sweat.

On the other hand you have songs like the impeccably crafted Lazy Jane, which could be a stolen B-side from Rumors.  Fans of Jenny’s previous work will still find solace in folk-pop songs like Get Lost, or Dope Van Gogh, as well as some country twang, that felt very reminiscent of Fear Fun.  The thing about this album is that it’s all over the map, Jenny hops from genre to genre in a way that was similar to Ruby Fray’s Pith from last year.  Unlike Pith which felt like an erratic collection of songs, Automechanic moves seamlessly from sound to sound.  This might be the albums most enduring quality, on the surface it sounds like twelve disparate elements linked by the constraints of the albums four corners, but each song flows together with impossible beauty, not jarring or unsettling, but smooth and delicious.

My initial expectations were so far from Automechanic’s grease covered undercarriage of a classic car, that I wasn’t immediately sure how to feel.  After a couple listens I quickly found that this was the only album I wanted to listen to.  I couldn’t get over how well written and produced these songs were.  Though Jenny O’s voice retains the familiar girlish charm, it blends so perfectly on this album with the deeper cuts.  Ugh!  Lazy Jane is an instant classic, to put it in superficial and banal words.

Home was just a five song EP, but was quickly picked over by music supervisors on television shows and commercials.  Automechanic is a massive leap forward for Jenny and her stellar songwriting, it’s a sure bet that these songs will be everywhere.  I know that I’ll be surprised if I don’t get yelled at more than once for playing this album on a loop.

On February fifth you’ll find Automechanic at all the usual online retailers, visit Jenny O’s website for more information.  In the meantime check out Jenny’s wonderful Daytrotter session.

Jenny O: website/facebook/twitter

LIST: 2012’s best albums

December 6, 2012 in album reviews, reviews

I love lists, it might even be my preferred method of reading really.  I might finally get around to reading Dostoyevsky’s The Brothers Karamazov if it was in the form of a list.  This also happens to be the most list-worthy time of year.  Basically if you want to countdown the best lists, or the best lists from years past, I don’t really care I’ll read it.  A few days back I put up a list of the ten best comedy albums of the year.  This is basically the same thing, however it won’t come with a cute picture of our Internaut logo with a Santa hat.  This isn’t just a list of the best music of the year to buy (which it is) it’s also a list of the best music of the year period. (It’s redundant to say period followed by a period but I did it period.)

I thought that 2011 was an unbelievable music year that would be nearly impossible to match in 2012 or any other year for that matter.  2011 saw some of the best albums by LAKE, Angelo Spencer, Mirah and Thao, Bryan John Appleby, The Cave Singers, The Curious Mystery, and so many others.  I naively believed that they would all have to top their 2011 releases, and totally discounted the possibility of any newcomers to make 2012 better.  As it turns out the best albums of 2012 came from newcomers.

What I’m about to is can probably be crumpled up and throw away as soon as I say it, “2012 will be long remembered as a landmark year in music.”  Ignore the fact that I would have said the same thing about 2011.  If I feel comfortable at all making that statement it’s because 2012 had debut albums from some bands who will be making waves in the music scene for years and years to come.

While I love lists I personally don’t believe in numbered lists.  Even if I tried I couldn’t accurately gauge who was best and who was only 10th best.  Every album on this list was not only a great 2012 release, it was a great all-time release.  So here they are in no particular order.

Deep Sea Diver – History Speaks
I’m going to go out on a limb, a sturdy limb, but a limb nonetheless, and say that Deep Sea Diver is the best band in Seattle.  History Speaks, follows on the success of DSD’s 2009 EP New Caves.  I love this album so much that I don’t really even know what to write here.  Every song is expertly crafted indie rock, from fast paced danceable pop, to hard edged rock, to moody ballads, History Speaks is about as perfect an album as you’ll ever find.  And coincidentally front woman Jessica Dobson was a guest on the Secretly-Important Podcast.

 

Father John Misty – Fear Fun
Ninety years from now list-makers will place Fear Fun as one of the defining records of the 21st Century.  The brain child of former Fleet Foxes drummer and the artist formally known as J. Tillman, Father John Misty appears as a non-alter ego persona for Tillman.  Every song on this album is a sing along, and every song is beautiful, fun, quirky, and perfect.  At one moment Tillman is channeling Harry Nilsson while the other he’s taking right from the Beatles playbook.  This Album is just too good.

 

Solid Home Life
These first three albums all make my list for best albums of all time, and at some point my wife literally ordered me to play something else.  Solid Home Life was born out of a collaboration of Lindsay Schief (formally of LAKE) and Greg Olin (Graves).  You will never find a more sweet and lovely album.  I’ve spent countless hours singing along to these soft folky songs by myself and with my daughter.  It’s a shame that more people don’t or won’t really know about this album because it’s so gentle and honest that you can’t not like it.  Lindsay was also a guest on the Secretly-Important podcast.

Lemolo – Kaleidoscope
My love affair with Lemolo and this album was like a whirlwind, one minute I’d never heard of them, the next minute I was sitting in a coffee shop gushing to them about how much I loved this album.  The Kaleidoscope fluctuates between dark and moody almost eerie tones and light and almost uber-pop.  Every note feels right, and once you’ve heard it you turn right around and start it over again.  Just four albums into this list, and my all time list is looking full.  Meagan and Kendra were also guests on the Secretly-Important podcast.

 

Damien Jurado – Maraqopa
Having been around the PNW for years and establishing himself as an elder statesmen of the music scene I wouldn’t expect this album to be as fresh and beautiful as it is.  I would be wrong because Maraqopa shows a wonderful growth in Jurado’s work.  This album mixes genre’s all over the place, but Jurado puts a focus on the folk-rock he’s known for with blues and it’s magical.  You’ll find this album on a lot of other lists and it’s no surprise, it belongs there.

 

 

Ana Tijoux – La Bala
I can’t help it, Ana’s my musical crush.  Her previous album 1977 was spectacular, but not to be outdone by herself La Bala rises to the occasion and offers up a new listening experience.  If you don’t know Ana then you should be aware that she’s a quick rhyming Spanish speaking Chilean Hip Hop artist.  I don’t have a clue what she’s saying but it just feels right.  La Bala features a number of guest artists and at times departs from the quick raps and exhibits her beautiful singing voice which was underused on 1977.

 

The The The Thunder – All At Once
Even after this album was recorded TTTT had never played All At Once as a full band, that would come later.  You can’t hear that little tidbit in the music but it does make it all the more impressive doesn’t it?  I see this album as the love child of Lou Reed and the Talking Heads.  That combination right there should be enough to make any list right?  Well, TTTT succeed with flying colors here, churning out an incredible album that easily could have sounded disjointed.  Once again 3/4 of the band was featured in the Secretly-Important podcast.

 

Lonesome Shack – City Man
City Man begins like all Lonesome Shack albums, with the dropping of a glass bottle, and it’s basically the best thing ever.  The moment I heard the clanking glass beer bottle I knew that everything that preceded was going to be incredible, and it was.  LS expands their minimalist haunted boogie blues duo to include bass and  sax.  The album was recorded live at Cafe Racer (two months before the tragic shootings) and is dedicated to the victims and their families.  Lonesome Shack is one of the most pure extensions of blues that you’ll hear just about anywhere.  There’s a Lonesome Shack interview coming in January on the Secretly-Important podcast.

Ruby Fray – Pith
Last year K-Records released a single of the Christmas song Namiot, and the first thought that went through my head was, “I need a solo album by Emily Beanblossom.”  Here it is.  It’s technically not a solo album as the usual suspects around the K office lend their talents to the album.  At times Pith is weird and quirky, at others she seems to be channeling Carol King or Fleetwood Mac.  I had high expectations for this album and they were totally exceeded.  Pith is all over the place in terms of genre, but what it all has in common is Beanblossom’s incredible voice.

Karl Blau – Songles
There’s isn’t another single PNW artist who I simply don’t understand why they aren’t a household name.  Karl has made some of the most interesting, unique, risky, and flat out amazing music.  What’s unique  is that he can present you with ten new songs and each one is like looking at a blank canvas, they can be anything and go anywhere.  Songles is ten songs, low-fi indie meets Karl’s amazing ability to spin gold from kelp.  At first listen you might not get Songles, but I urge you to give it a second try, once you do I promise you’ll find that it’s really amazing.  No surprise here but Karl has also been featured on the Secretly-Important podcast.

 

I only gave myself ten slots here to talk about my favorite albums of 2012, so naturally there were many that were left off.  Honorable mention goes to Chain and the Gang – In Cool Blood, The Soft Hills – The Bird is Coming Down to Earth, THEESatisfaction – awE naturalE and many, many others.  It just so happens that these were the albums that I listened to the most, the ones that inspired me everyday, and that reminded me why I was still in the PNW.

If you’ve got a music fan on your shopping list (and who doesn’t) any of these albums are a perfect gift.  If you’re worried about name recognition, just think about how awesome it will be to introduce someone to something new that they’ll love forever.

***** 2012 was not only a great year for some amazing full length albums, it also featured some incredible EP’s and singles.  My next list will feature my favorite (not full-length) music.  That music is just as good as this here. *****

true believer!

June 26, 2012 in album reviews, reviews

If you don’t currently subscribe to or buy  the literary magazine The Believer, now is the time to start.  In its upcoming yearly music issue there is a mixed tape (a literal tape) compiled by K-Records one and only Calvin Johnson.  If you’re not familiar with The Believer, it’s a magazine that was started back in 2003 by writer Dave Eggers and is edited by his wife Vendela Vida. It began mainly as a magazine about writers and writing, but has become a home for all things, shall we say, hipster and artsy.

Every year they publish annual Art, Film, and Music issues that come with a disc of some sort (generally).  This year in honor of all things becoming popular once again, the issue will come with a cassette tape.  If you’re like me and your walkman/boom box/fisher price recorder was tossed out long ago, then you’re in luck because this issue will come with a digital download code.

That right there is probably enough to get most music fans excited, but there’s more.  This mixed tape, is actually pretty awesome.  It includes some favorites here at the website, including Baby Island (a project that includes members of LAKE), Ruby Fray (Emily Beanblossom of Christmas), Lovers Without Borders (a side project of Karl Blau), Shana Cleveland and the Sandcastles (Shana of The Curious Mystery), Skrill Meadow (Markly Morrison of LAKE), and many others.

If you’re looking to bone up on your super-indie music than this is an awesome place to start.  Congratulations to everyone included on the mixed tape and a big hand to Calvin Johnson for a job well done.  This looks like it is going to be awesome.  The issue hits shelves July 1st.

ruby fray ~ pith

April 17, 2012 in album reviews, reviews

It wasn’t a conscious decision to have so many album reviews in such a short span of time, there just happen to be so many great albums coming out, that someone needs to help you figure out what they are.

Don’t get me wrong, I love the music of Christmas, the indie punk rock band helmed by Emily Beanblossom that is.  But after listening to their album High Fives and Handshakes I was left wondering, “what would a solo Beanblossom album sound like?”  I needn’t wonder any longer because she just released her debut album Pith, under the pseudonym Ruby Fray.

Technically this isn’t a solo album, underneath it’s tasty freak-folk and twisty-pop crust, lies a garrison of k-records alum.  Calvin Johnson, Angelo Spencer, Arrington de Dionyso, and members of LAKE are a sampling of the albums contributors.  Their talents are equally on display and add perfectly to the broad scope of the album.

What really made Christmas standout to me were the beautiful vocals of Beanblossom.  Pith acts like a showcase for the many facets of that voice.  From the Uber-Pop in Mint Ice Cream, to the doo-wop of What’s All This Talk, to the impenetrable ballad Barren Hill, and the quirky folk of And the Moon.  The albums disparate musical elements are sewn together by Emily Beanblossom’s, chilling vocals, a cross between legend Stevie Nicks and local artist Shana Cleveland (The Curious Mystery).

The experience of listening to Pith is like being that guy who gullibly opens a can of mixed nuts only to be surprised by a spring loaded snake over and over.  Twelve times to be exact.  Each song a different experience in another genre, which could come across as erratic, but I find it sonically satisfying.

Chances are you’re not going to find another album like this in 2012.  It’s nothing if not unique.  Pith is a complete and fulfilling journey through Emily Beanblossom’s lovely vocal stylings, and the eclectic instrumental collaborations from some the PNW’s best musicians.  Fans of Christmas or just fans of music in general will absolutely devour this delectable offering.

The album is currently available in all the usual formats through k-records and Amazon, or of the digital variety on itunes.

song of the week: father john misty ~ nancy from now on

April 4, 2012 in song of the week

 

You’re not experiencing a case of Déjà vu, a couple weeks ago our song of the week was also the brilliant Hollywood Forever Cemetery Sings by Father John Misty, aka Josh Tillman.  I don’t adhere to any kind of rules for this column but it was my intention not to publish back to back articles concerning the same artist.  Obviously I broke that non-rule, thanks to yesterdays release of another song on the forthcoming album Fear Fun, Nancy From Now On.  It’s just too good not to include.

Because I already told the story of Josh Tillman and his transformation into Father John Misty, I’ll instead put a stronger focus on the song itself.

It wasn’t until I began listening to Father John Misty that i realized just how little I paid attention to song lyrics.  I might sing along to a good song or admire the quality of the words when strung together.  Tillman’s lyrics are so wonderfully blunt and jarring that they grab you by the shirt collar and force you to take notice.

I need another drink and punch me in the face – you can call me Nancy – every man wears a symbol and I know I have mine  -  I’ve got my right hand stamped at the concentration camp where my organs scream slow down man.

They’re beautiful, funny, troubling, and fun.  I hate to make this comparison, but I try to go with my gut – his lyrics remind me of the late Kurt Cobain’s.  Often absurd, contradictory, and tow a humorous line.

Good lyrics don’t make the song alone, it needs great music and a sympathetic voice to make it fly.  FJM finds just the perfect tone to capture the moment of the emotion in the song.  Nancy From Now On has a distinct Roy Orbison, Harry Nilsson feel, reminiscent of I Guess the Lord Must Be in New York City – again, my gut reaction.  Where Hollywood Forever Cemetery Sings was pure rock, this is like adult contemporary for a drug addled soul.

This song is equally as infectious as its addictive predecessor.  I’ve caught myself no fewer than a dozen times singing it out loud from nowhere, including in a crowded store.  If you’re currently in recovery from HFCS, sorry this one will throw you off the wagon again.

I can’t believe I have to wait until May 1st to hear the entire album.  Luckily April is a great month for new albums and Solid Home Life (April 10th) and Ruby Fray’s Pith (April 17) will serve as a delicious distraction.  You can download Nancy From Now On right here for free.
Father John Misty – Nancy From Now On by subpop
Once again, the video for this song is wild, and totally crazy, maybe even a little fucked up… I love it.